BOSS SDE3000EVH DUAL Digital Delay Effet Guitare

Type d'effet: Retard / Echo
Niveau nominal à la réception: -10 dBu
Impédance d'entrée: 1 M ohm
Niveau nominal d'émission: -10 dBu
Impédance de sortie: 1 k ohm
taux d'échantillonnage: 48 kHz
A / D / A: 24 bits + AF method AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS
Traitement des signaux: 32-bit floating point
Affichage: 7 segments, 12 digits LED
appel du courant: 450 mA
Contrôles: TIME button, FEEDBACK button, OUT button, RATE button, DEPTH button, 1--4 buttons, BANK A/B button,
Spécifications: Special edition dual delay pedal jointly developed by EVH and BOSS
Specifications II: Based on the legendary Roland SDE-3000 rackmount digital delay from the 1980s
Specifications III: Eight EVH presets with the exact settings from the two SDE-3000 delays in Eddie Van Halen’s live rig
Caractéristiques: Classic appearance with the signature EVH logo and stripes
Features II: Distinctive retro display and panel controls based on the original SDE-3000
Features III: Widely adjustable delay time with two range settings: 0–1500 ms and 0–3000 ms
Accessoires: AC adaptor (PSB-1U + AC Cord Set) GND LIFT CABLE x 3 STARTUP GUIDE Leaflet "USING THE UNIT SAFEL
Largeur: 199 mm
Hauteur: 54 mm
Profondeur: 135 mm
Poids: 1.1 kg

Eddie Van Halen and the SDE-3000
Eddie Van Halen is one of the greatest and most influential guitarists of all time, and his effortless musicality, spirited performances, and otherworldly techniques will continue to inspire players for generations to come. Eddie’s amazing tone is equally legendary, and he continually refined his amplifier and effect choices throughout his career to achieve the very best sound possible.

The Roland SDE-3000 delays were perfect for his unique wet/dry/wet live rig approach, providing rich, high-quality tone and special delay parameters that allowed him to perfectly tweak the sound to his exacting preferences. After years of using the SDE-3000s, the ever-ambitious and competitive Eddie tried to see if he could improve his sound with a rival product. But he never found another delay that worked better, and his two SDE-3000s remained core components of his stage rig throughout his long career.

“We went through a process for about two weeks of comparing many delay products. And in the end, Ed concluded that the SDE-3000s were the best.” — Matt Bruck, EVH Managing Director

Item No.: SDE3000EVH